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Hours: Tues - Fri 10:00 am to 4:00 pm
Saturday Noon - 4:00 pm

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Through this series we bring a wide variety of musicians and performers to an intimate space. Named for the elegant Great Blue Herons living on the Umatilla River, this series will surprise you with everything from alt-country to bluegrass to jazz and everything in between.



Next up...

Coming Soon:


September 17 and 18           Ron Emmons and Friends

                                                    Ron is the front man for the beloved Cabbage Hill Band.

                                                    He’ll be playing with a mix of true roots music masters.


October 9, 2015         City of Tomorrow

                                       The only wind quintet to be awarded a gold medal at the Fischoff National
                                       Chamber Music Competition.

Thirteen Moons


Wednesday, May 20, 2015

7 pm –Doors open at 6:30 pm


Made possible through the generous support of Dickey and Tremper, LLC


Thirteen Moons is a first-of-its-kind collaboration bringing together a Native American language and chants with modern progressive jazz from France. It's been hundreds of years since the French first met Native Americans here in the 'new world', and GrayHawk Perkins and the Mazcal Jazz Unit bring the two cultures together again through music.



Born in New Orleans to parents from the Choctaw and Houma Native Nations. GrayHawk Perkins grew up with his grandmother, a Native American naturalist and storyteller from theTerrebonne Parish of New Orleans.


At an early age he became an activist for the rights of Native Americans and was elected to a seat on the tribal council of the United Houma Nation when he was 18 years old. He’s worked as a cultural naturalist, and has taught American history, Native American storytelling and history, music, creative writing and visual arts. He’s also trained as a professional percussionist and musical composer, and has performed in many different bands in the greater New Orleans area.


The Mezcal Jazz Unit, led by the composer and bassist, Emmanuel de Gouvello was founded in 1986 in the south of France, near Montpellier. The music is defined by the Mediterranean temperament of its musicians, the reminiscences of traditional melodies, an unabashed attraction for the Orient, a rock like energy, a sense of humor, and a mix of held back emotions and overflowing generosity.


The group has performed over 500 concerts in 180 countries, including France, Austria, Germany, Poland, Czech Republic, Slovakia, Lithuania, Latvia, Estonia, Belarus, Russia, Azerbaijan, Hungary, Romania, Moldavia, Ukraine, Burkina Faso, Morocco, Nigeria, India, Vietnam, Laos, Cambodia, China, USA, Guatemala, Honduras, Nicaragua, and El Salvador.


At the heart of this collaboration is a unique collection of chants in the Mobilian trade language, which was used as a lingua franca among Native American groups living along the Gulf of Mexico around the time of the European settlement of the region. It facilitated trade between tribes speaking different languages as well as with European settlers.


The compositions by GrayHawk Perkins and based on traditional songs, refer to the thirteen moons of the Native American calendar. Emmanuel de Gouvello, bass player and composer arranged the pieces using harmonies and rhythms from the world of jazz.

The musicians will also be doing outreach with school groups while in Pendleton.


The performance is made possible through the support of the French Ministry of Culture and Communication’s National Center for Jazz, and Dickey and Tremper, LLC

Tickets are available by calling 541-278-9201 and more information is available at pendletonarts.org.

Three musicians who repeatedly pack the house are returning to the Pendleton Center for the Arts for a concert of lively Scottish music. Rebecca Lomnicky, David Brewer and Peter Willis will perform Friday, June 5th at 7 pm.

The event features Lomnicky and Brewer’s new CD, The Fire, which is marked by traditional roots, vast diversity and innovative spirit. Rebecca Lomnicky is the only non-Scottish-born musician to ever win the Scottish National Fiddle Championship, something she accomplished as a teenager. Davd Brewer brings energetic expertise on bagpipes, guitar, bodhran, and whistle to the performance.   Peter Willis accompanies on the guitar.

The release of The Fire marks Lomnicky and Brewer’s second album together and fully showcases every aspect of their stylistic expertise, technical prowess, and musical passion. Combining the aesthetic elements of all their past recordings into a newer finely crafted sound, this album features the diversity of Scotland’s traditional regional styles with an added contemporary flare.

Both Lomnicky and Brewer have each spent copious amounts of time delving into the traditions of their respective instruments, living and studying in both Edinburgh and the highlands of Scotland.

The Fire contains one of Peter Willis’ original compositions and he plays guitar on other tracks as well.

Tickets are $10 and available at the door or by calling 541-278-9201. More information is available at pendletonarts.org. More information about The Fire can be found at firescottishband.com

Rebecca Lomnicky and

David Brewer,

The Fire!


Friday, June 5, 2015

7 pm –Doors open at 6:30 pm


Brian Pi’ikea Vasquez

Tuesday, August 4, 2015


Tickets $10

Doors open at 6:30, show starts at 7:00 pm

Reserve a seat by calling 541-278-9201


After family, music is the most important thing in the lives of the people of Hawaii. Brian comes from a long line of musical talent reaching further back than anyone his family can remember. His father Phillip Vasquez, Uncle Danny Vasquez and Grandfather Phillip Vasquez Sr. all played professionally throughout the Islands. He grew up in a household as one of four brothers, and Brian emerged the musician, even though it was his older brother who taught him to play the ukulele and convinced him to enter Hawaii's Search for Talent in which they won the state finals as a team. Brian’s music is uniquely powered by an intense energy and a unique, spell binding, finger picking style.

“In Hawaii, we are raised to make our contribution to society with the gifts in which we have been given. So much of my personal life is reflected in my music. I really try to relate to every song I play or sing. It may not be in the way it was intended, but it’s what it means to me at the time I am playing it. This is how I share my Aloha.”

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